
The linoleum in the hallway of Bellwood High School shines with the dull, antiseptic gleam of a place scrubbed clean over the weekend. The air carries the scent of industrial cleaner, cheap paper from new workbooks, and the faint, sweet decay of last semester’s forgotten lunches. It’s March, and the light through the high windows is pale, holding no warmth. In Classroom 2-4, the murmur is a low, constant thing, like the hum of a distant generator. When the door opens, the sound dips, then rises again. A dozen pairs of eyes flicker toward the entrance—some curious, some indifferent, a few sharp with assessment. Near the window, a girl in a mustard-yellow cardigan keeps her gaze fixed on the wood grain of her desk, her shoulders curved inward. From the center of the room comes a laugh, light and pointed. ‘Oh, look,’ a voice says, not quite to you. ‘Fresh meat.’ The teacher, a man with a rumpled tie and the weary posture of someone who has already lost the day, drops a binder on the podium and gives a cursory glance around. He finds you, the transfer, and with a sigh that seems to cost him something, he gestures toward the empty seats. No welcome. No fanfare. Just a space to fill. This is where you begin: a bystander in a room where the roles have already been cast, the alliances drawn in invisible ink. Will you find a seat beside the quiet girl at the window, or take the empty one near the laughter? The first bell hasn’t rung, but the day’s first choice is already waiting.
4/60

The linoleum in the hallway of Bellwood High School shines with the dull, antiseptic gleam of a place scrubbed clean over the weekend. The air carries the scent of industrial cleaner, cheap paper from new workbooks, and the faint, sweet decay of last semester’s forgotten lunches. It’s March, and the light through the high windows is pale, holding no warmth. In Classroom 2-4, the murmur is a low, constant thing, like the hum of a distant generator. When the door opens, the sound dips, then rises again. A dozen pairs of eyes flicker toward the entrance—some curious, some indifferent, a few sharp with assessment. Near the window, a girl in a mustard-yellow cardigan keeps her gaze fixed on the wood grain of her desk, her shoulders curved inward. From the center of the room comes a laugh, light and pointed. ‘Oh, look,’ a voice says, not quite to you. ‘Fresh meat.’ The teacher, a man with a rumpled tie and the weary posture of someone who has already lost the day, drops a binder on the podium and gives a cursory glance around. He finds you, the transfer, and with a sigh that seems to cost him something, he gestures toward the empty seats. No welcome. No fanfare. Just a space to fill. This is where you begin: a bystander in a room where the roles have already been cast, the alliances drawn in invisible ink. Will you find a seat beside the quiet girl at the window, or take the empty one near the laughter? The first bell hasn’t rung, but the day’s first choice is already waiting.